my.blockg: dance

Showing posts with label dance. Show all posts

Saturday, August 29, 2009

Talks Torsten ReilTorsten Reil: Animating neurobiologist builds better animations

By coding computer simulations with biologically modeled nervous systems, Torsten Reil and his company NaturalMotion breathe life into the animated characters inhabiting the most eye-poppingly realistic games and movies around.

http://www.ted.com/talks/torsten_reil_studies_biology_to_make_animation.html

Wednesday, May 27, 2009

INTERMEDIA DANCE PERFORMANCES

Intermedia dance performances create peculiar, funny and unexpected movements. The interactive environment deforms the performers body in such an unconsious(?) way that it might not be created into any other setting. Such dance movements resemble to the movements of people with motion impairments and motion disabilities which they are so unpredictable that amaze the audience.

See for example Ursula Erdlicher's "Website Impersonations: The Ten Most Visited". This is a Live Performance Series choreographed by Web code. In these ten performances the "character" of a Website is embodied by (a) performer(s) who translate(s) the site's HTML code, which is fed in from the Web "on the fly",
Watch video explaning the setting of the project and video documentation of "www.yahoo.com" performance.

See also Palindrome, a performance group from Germany that uses Motion Tracking technology. They are known for its interactive dances. Using bio-sensors and motion tracking technology the music, lighting or video projections are controlled by the dancers' movement.

Watch "Movement controlling Lights" video into the "INTRO TO MO-TRACKING" tab of the videos section which is the best example related to the current post.

Monday, April 13, 2009

One Flat Thing, reproduced

Synchronous Objects is a joint project of William Forsythe and OSU's Advanced Computing Center for the Arts and Design (ACCAD) and the Department of Dance.

"From dance to data to objects, Synchronous Objects reveals the interlocking systems of organization in the choreography of William Forsythe's 'One Flat Thing, reproduced (2000)"

I re-post here from 'Great Dance Blog'
"The main focus of Synchronous Objects is to develop a set of data visualization tools for capturing, analyzing and presenting the underlying choreographic structures and components of Forsythe's "One Flat Thing, reproduced" (OFTr), which premiered in 2000. These visualizations in the form of information graphics, 2D and 3D animations and visual dance scores will provide audiences, students and researchers with new approaches to thinking about and studying Forsythe's intricate, counter-point work.

Two extended clips of "One Flat Thing" video choreography

One flat thing reproduced 1

One flat thing reproduced 2

To see a variety of data visualizations, visit:

- Information Aesthetics

- EagerEyes.org

- Flowing Data

- Visual Complexity

And also take a look at Many Eyes collaborative visualization application from IBM. Anybody can upload their own data, create a visualization and share it with others."

Exploring William Forsythe's "Synchronous Objects" Website

Sunday, February 15, 2009

Technologically Expanded Dance

http://tercius.wordpress.com/

A new book accompanied by DVD "TeDance - Perspectives on Technologically Expanded Dance" has been published by Daniel Tércio.

"When preparing this paper, I have started attempting to identify a Portuguese accent. In order to do so, I have chronologically listed dance pieces exhibited in Portugal by Portuguese, or Portugal-based, choreographers, where intersections with new technologies were portrayed. Soon I was to face a curious dilemma: how would one distinguish ‘new technologies’? And above all, how would one identify those artworks where the authors take up technology not only as devices or resources but as dramaturgically purposeful?"
“Dance and Technology with Portuguese accent at the crossroads” excerpt, by Daniel Tércio.

In Tedance. Perspectives on Technologically Expanded Dance. Lisbon, FMH, 2009. 249 pp. Paper plus a DVD. ISBN: 987-972-735-160-2

Tuesday, January 27, 2009

The T-Mobile Dance

Monday, January 12, 2009

dance-techLIVE

http://www.dance-tech.net/page/dancetechlive-beta

Sunday, January 11, 2009

Watch 50 Categorized Dance Animation Videos

Here you will find categorized links to more than 50 posts on Great Dance that include videos of many different types of dance and movement animations such as 2D and 3D, stop-motion, visual effects, interactive performances and installations, computer games, machinima, live action and CG, motion graphics, visualizations, pre-cinema and many other types.

The OpenEnded Group

http://www.openendedgroup.com/
The OpenEnded Group is three digital artists — Marc Downie, Shelley Eshkar, and Paul Kaiser — who create works for stage, screen, gallery, page, and public space.
Kaiser and Eshkar have collaborated on numerous projects since the mid-1990s. Interested from the start in creating a new kind of 3D space that did not aspire to photorealism, we thought instead about drawing. Soon we formulated the notions of drawing as performance and hand-drawn space, which we then applied to motion-captured performance in a series of collaborations with choreographers. Of these, perhaps the best known are BIPED, with Merce Cunningham, and Ghostcatching, with Bill T. Jones.
Watch videos like 'Verge (Complete)' (Verge uses volumetric light to explore the idea of “blind 3D” in which black zones of the image may be read as voids or as dark solids) and clips 'Movement Principles' of Robert Wilson's instructions on how to move your body on stage

Saturday, December 20, 2008

On Scenography

http://www.sceno.org/
http://www.scenofest.org/index.html

Sunday, December 14, 2008

Labyrinth by Misnomer Dance Theatre

http://www.misnomer.org/labyrinth

Tinman by Chris Elman

The piece exemplifies Elam’s pointed use of elongated sculptural shapes to convey emotional states. The angularity draws from Balinese movement and is performed in a manner that is meant to draw an audience into the dancer’s physical experience as he negotiates his own body.