Ursula Biemann is an artist, theorist and curator who has in recent years produced a considerable body of work on migration, mobility, technology and gender. In a series of internationally exhibited video projects, as well as in several books "Geography and the Politics of Mobility" (2003), "Stuff It - The Video Essay in the Digital Age“ (2003), „The Maghreb Connection“ (2005) she has focused on the gendered dimension of migrant labour from smuggling on the Spanish-Moroccan border to migrant sex workers in the global context. Her experimental video essays connect a theoretical macro level with the micro perspective on political and cultural practices on the ground.
Insisting that location is spatially produced rather than pre-determined by governance, she made space and mobility her prime category of analysis in the curatorial project "Geography and the Politics of Mobility" (2003) at the Generali Foundation in Vienna, „The Maghreb Conncection“ on migratory systems in North Africa, Cairo/Geneva (2006) or the recent art research projects “Black Sea Files” on the Caspian oil politics at Kunstwerke Berlin (2005) and „Sahara Chronicle“ on trans-saharan mobility. Biemann's practice has long included discussions with academics and other practitioners, she has worked with anthropologists, cultural theorists, NGO members, architects, as well as scholars of sonic culture. Her video essays reach a wide and diverse audience through festival screenings, art exhibitions, activist conferences, networks and educational settings.