Wednesday, December 5, 2007

"BREATHING LESSONS:The Life and Work of Mark O'Brien" A film by Jessica Yu

BREATHING LESSONS, a documentary by award-winning film maker Jessica Yu, explores the unique world of Mark O'Brien, the poet-journalist who has lived for four decades paralyzed in an iron lung. Incorporating the vivid imagery of O'Brien's poetry and his candid, wry, and often profound reflections on work, sex, death and God, this provocative documentary asks: What is a life worth living? By presenting O'Brien's life from his point of view, the film provides an intimate window into the reality of a life of severe disability, as well as an illuminating portrait of a remarkable artist.

The distributor of the Video Tape of BREATHING LESSONS is Fanlight Productions in Boston.

Mark O'Brien, poet, journalist and inspirational voice in the movement of disabled people to lead independent lives, died early Sunday morning, July 3, in his home in Berkeley, Calif. Mr. O'Brien was 49 years old.
Born in Boston and raised in Sacramento, Calif., O'Brien was six years old when he contracted polio which left him paralyzed from the neck down. At the time of his death, he was one of some 100 polio survivors in the United States who still used an iron lung to breathe.
The 1997 Academy Award-winning documentary, "Breathing Lessons," directed by Jessica Yu, described O'Brien's long struggle to escape hospitalization and his often comic determination to live on his own and work as a writer.
In 1978 O'Brien moved from Fairmont State Hospital to Berkeley, after being accepted as a freshman at the University of California. He became a familiar figure on the streets of Berkeley, navigating his motorized guerney between the campus and his tiny apartment which housed his iron lung.
O'Brien received his BA in English literature in 1982 with the support of note takers, home health-care attendants and the then-fledgling Center for Independent Living.
After repeated efforts, O'Brien gained admission to UC's Graduate School of Journalism, helping to set a precedent for severely disabled applicants to state universities. Although a serious health setback prevented him from pursuing his graduate degree, O'Brien began his career as a journalist with the publication of an essay on what leading an independent life means in Co-Evolution Quarterly in 1979.
Initially, he composed his pieces by dictation, then he learned how to type with a mouth stick, first on an electric typewriter, later on a word processor.
His first collection of poems, "Breathing", was published by Little Dog Press in 1990. O'Brien considered it one of his proudest accomplishments. He completed two later volumes of poetry -- "The Man in the Iron Lung" (1997) and "Love and Baseball" (1998), both published by Lemonade Factory, an independent small press he co-founded in Berkeley with Susan Fernbach.
At the time of his death, O'Brien was completing an autobiography.
A long-time editor of Pacific News Service, O'Brien published essays, book reviews, news stories for the San Francisco Chronicle, the Examiner, and the National Catholic Reporter. He wrote about sports, religion (he was an ardent opponent of euthanasia), his life-changing two hour session with a sex therapist, his experience with Steven Hawking, and the culture and politics of being disabled. (In one piece he writes about coping with the fleas from an alley cat that shared his one-room apartment for many years.)
His twin passions, according to film-maker Jessica Yu, were baseball (specifically the San Francisco Giants), which gave him entree to the sports culture of his peers, and Shakespeare. O'Brien delivered the 1998 commencement address to graduates of Berkeley's English Department.
As an advocate of the "independent living" movement, O'Brien emphasized the universal need for human beings to have a measure of control over their own lives. "I want people to think of disability as a social problem...Everyone becomes disabled unless they die first."
O'Brien spoke candidly on film of his struggle to overcome loneliness. "You can't make someone love you -- you have to be lovable yourself," he said, adding that he wasn't convinced he knew how to do that.
By the late 1990's, O'Brien's failing health restricted him to the iron lung for all but a few hours of the week. But he continued a correspondence through Email and regular postings on The Well with a world-wide circle of friends and admirers.
It was his sense of longing that connected him so powerfully with others, said PNS executive editor Sandy Close. "He demanded and expected very little, and maintained a sense of wonder about everything good that came to him."
In "Breathing Lessons," O'Brien acknowledged his gratitude to his parents, Helen and Walter O'Brien, for the care and love they gave him. He remained at home until he was 27.
"His Catholic faith -- a portrait of the Virgin of Guadalupe hung always within sight -- sharpened his humor and left visitors wondering who was crippled, Mark or themselves," said Close.
"Disability causes me to believe more strongly in a duality between body and spirit," he said in "Breathing Lessons," "...cause if I'm a soul, I'm just as good as you. And if I'm a body, then I'm up shit creek, ain't I?"
In addition to his father, Mark O'Brien is survived by a brother, Ken, a sister-in-law, Karen, of Granite Bay; a sister and niece Rachel and Alicia Jordan of Colfax, Ca.; and his collaborator Susan Fernbach and his attendant Bruce Ward.
A funeral mass will be celebrated on Saturday, July 10, at 2 pm at Newman Hall, 2700 Dwight Way, Berkeley, Ca. O'Brien's family and friends have established a scholarship fund at UC Berkeley's English Department for disabled students of literature.

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